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pesa

Pesa

I grew up playing D&D in the early 80s…one of those 9-10 year olds with a B/X set and the usual shyness/awkwardness around girls. However, I had the great fortune to have parents whose friends had only daughters my age, so there were many times I was forced to interact/play with members of the opposite gender (and vice versa) outside the seething cauldron of hormones and insecurities that is the elementary/middle school classroom…and as I discovered their interest and enthusiasm for D&D, they were invited to join and game with my male classmates with whom I would have otherwise been left in isolation and (quite possibly) toxic testosterone.

We talk about playing vs. writing, online stalkers, the quest for originality, Patrick’s relation to art and the double problems of commercialization & commodification in the DIY scene. Among that: several questions by the hosts (hasran & Settembrini) on Patrick’s previous published work (mostly Silent Titans, DCO and Maze of the Blue Medusa) and of course, the newest project: Broken Fire Regime and how its Para-Cosm relates to the wider Stuartverse.

Du beschreibst das Phänomen, dass manche Leute Angst vor den weit(er)reichenden Möglichkeiten mittel- oder hochstufiger Charaktere haben: Sinngemäß sagtest Du: ‚Oje, bitte bloß kein Fliegen-Zauber! Und Teleport, das ruiniert mir die Kampagne!‘. Ebenso schön und leider plausibel witzelte Prince ‚Am besten kriegen die erst gar keine Pferde!‘

You describe the phenomenon that some people are afraid of the far-reaching possibilities of medium or high level characters: You said something along the lines of ‚Oh dear, please no fly spells! And teleport, that ruins my precious campaign‘. Prince delightfully (unfortunately plausibly) quipped something to the effect of ‚It’s best if they don’t get any horses at all!“